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A Nordic half-Jewish photographer travels to a wintry Venice in search of the “other Leningrad” that the Nobel Prize-winning Russian poet Joseph Brodsky recognized in the city. As the photographer captures images of Venice, he confesses his own heavy, sinful life to the late Brodsky, his only kindred spirit. The photographer’s burden is his Christian father, who acted as an informant against Jews during World War II in their homeland.
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A film about the power and the beauty of architecture and about a middle-aged Nordic architect who, after loosing all in his life, wants once again to be a real architect and begins to create a Dream House for rest of the life, but not only for himself but also for a German woman whom he has met only once in his life, 50 years ago in their childhood.
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Humanity’s greatest demon wants to become human and learn the language of love. For guidance, he chooses theater director Misha, who has a problem: he cannot find the right actor for a play about the life of early 20th-century Austrian poet Rainer Maria Rilke. Lucifer helps Misha find the perfect actor for the role. Along the way, through the art of the German medieval church painter Mathias Grünewald and Rilke’s poetry—both in France and Spain—the duo is followed by the ghost of Misha’s late close friend, writer Pasha. After becoming human, the demon encounters a woman who reminds him of Rilke’s muse, the Russian-born psychoanalyst-writer Lou Andreas-Salomé.
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Winter 1975 – Author Jeanette Aspen arrives at Lapinlahti Mental Hospital to meet her only child, psychiatrist Karin Aspen, 36 years after sending her daughter to Sweden and traveling to Southern Europe at the start of the Winter War. The encounter triggers a drama between the mother and daughter, who are now total strangers to each other.
Julkaistu: