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When Almut and Tobias meet by chance, their lives take a new direction. We Live in Time follows their love story over the years, revealing moments filled with joy, challenges, and loss. Its nonlinear narrative highlights the passage of time and the unpredictability of life as their relationship is put to the test. A visually stunning and heartbreaking tale of love, time, and loss.
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The names Audrey Hepburn and Holly Golightly have been synonymous ever since Truman Capote’s sparklingly fun and romantic comedy was adapted into a film. Holly is a delightfully quirky New York girl who is determined to marry a Brazilian millionaire. George Peppard, on the other hand, plays a writer living next door, “sponsored” by the wealthy Patricia Neal. It’s easy to guess who is truly the one for Holly. Their blossoming romance is one of the film’s deliciously captivating storylines.
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Jack Malik is a singer-songwriter trying to break into the music industry, but he struggles to gain attention—whether at pub gigs or festival side stages. The only people who seem to believe in him are his longtime friend, manager, roadie, and driver Ellie, who has supported him since their teenage years, and a couple of other loyal friends. Just as Jack is about to give up, a mysterious global blackout and a minor accident lead him to wake up in a world where The Beatles never existed. However, Jack remembers all their hits and begins performing the legendary band’s songs as his own. The music industry takes off at such a speed that he can no longer stop it. On his way to the top, he realizes he is losing the one person who has always believed in him—his friend Ellie. To find true happiness, he must return to his roots and prove to himself that The Beatles were right: all you need is love.
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Katri’s husband has died in the Finnish Winter War. When the Continuation War begins, Katri volunteers to work in a military hospital in Helsinki. She is courted by a patient, a poetry-reciting countryman about to be discharged from service. At the same time, she dates her old school friend Eero, who even goes AWOL to be near her. As the war continues, Katri must make difficult decisions about her life.
Merja Väisänen was awarded the Jussi Award for Best Costume Design.
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A Finnish-Norwegian love story with an unexpected shape and development. Shot in Oslo, Helsinki, Istanbul and Berlin. The film focuses on showing the actual moments that lead to getting to know one another, building a relationship and to breaking up. The film takes part in Kaisa’s attempt of getting involved with two different men that look almost exactly the same, questioning where the thin line is between someone potentially being the love of your life or not. Shooting the film with the approach of a workshop and closely involving the actors allows the film to take shape as a unique, unpredictable cinematic expression touching the basis and complexity of human behavior.
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A thirty-something commitment-phobe, Lia (Elina Reinikka), runs into a man (Juha Lagström) on the street who starts reminiscing about moments they shared ten years ago. However, Lia cannot recall the events, and the man refuses to reveal what happened back then. He invites Lia to dinner, during which she must, under the guise of a playful game, piece together their shared past. Lia confesses to her sister (Hanna Manu) that ten years ago, she experienced “love at first sight” with a pianist she met at her favorite hangout. However, her then-boyfriend ruined the moment, and the pianist disappeared. Lia admits that she has been waiting for that man ever since.
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What if a random text message led you to the love of your life? Mira Ray is grieving the tragic loss of her fiancé and, to ease her pain, sends romantic messages to his old phone number, unaware that the number has been reassigned as Rob Burns’ new work number. Rob, a journalist, is captivated by the honesty of these heartfelt texts. When tasked with writing a profile on Céline Dion, Rob enlists the megastar’s help to figure out how to meet Mira… and win her heart.
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Elizabeth travels to her childhood hometown to purchase the town’s aging ski resort on behalf of her future father-in-law. To her dismay, the resort’s owner, Randy, turns out to be her old classmate, who flat-out refuses to sell. Reluctantly and against her plans, Elizabeth ends up staying in town for Christmas, reuniting with her family. Her sister Lynn is determined to win the town’s annual ski race, the “Christmas Classic,” for the tenth time, but this year, Elizabeth is set on beating her sister. As the charm of her old hometown—and especially her former classmate Randy—begins to win her over, Elizabeth finds herself at a crossroads: back home awaits her wealthy but controlling fiancé, but could this be her chance for something real, for true love?
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Awarded with four Oscars, the film tells the story of Nobel Prize-winning economist John Nash, who suffers from schizophrenia. The brilliant mathematician stood out from his peers during his studies and began to develop his groundbreaking game theory. After graduating, Nash starts teaching at a technical university, but gradually, mental health issues and severe paranoia begin to take control of him.
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Samson and Delilah (original title in Finnish Simson ja Delila) is a historical adventure film released in 1949, directed by Cecil B. DeMille. The film is based on the Old Testament story of Samson, a Jewish warrior, and Delilah, the woman who betrayed him to the Philistines.
The story of the film revolves around Samson, who possesses supernatural strength, with his long hair being the source of his power. Samson battles the enemies of Israel, the Philistines. Delilah, who serves the Philistines, seduces Samson and makes him reveal the secret of his strength. When Delilah cuts Samson’s hair, he loses his strength and is captured. In the end, Samson prays to God to restore his strength, and he succeeds in destroying the Philistine temple at the moment of his own death.
In the film, Samson is portrayed by Victor Mature and Delilah by Hedy Lamarr. Samson and Delilah was a major success in its time and won two Academy Awards for Best Art Direction and Best Costume Design. The film is especially known for its epic scenes, colorful costumes, and impressive sets, which were typical of Cecil B. DeMille’s grand cinematic style.
The film is a classic example of the “biblical epic” genre that was popular in Hollywood during the 1940s and 1950s.
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